You can record both your instrument performance, your Stutter Edit performance AND you can bus the Instrument track to an audio track and record an audio version of your performance. Send the other MIDI track to Stutter Edit with it's input from the other keyboard. Send one MIDI track to the Instrument track as normal choosing one keyboard as an input source. Insert a synth pad or drum loop VI on the Instrument track. Create two MIDI tracks and one Instrument track. Hit play to hear the effect.Ģ) Two MIDI tracks (need two keyboards for this one) and an Instrument Track - Go into multi record mode.
Your MIDI track is pointing to Stutter Edit which is an insert on the aux track, which is the bus for the audio track. Insert Stutter Edit on the AUX track.Ĭonnect your MIDI track, like your connecting to an instrument track, Stutter Edit will appear in the MIDI output menu. Use the aux track as your audio track bus. There is more than one way to connect Stutter in DP, which is good because it does something unique and different depending on how you connect it.ġ) MIDI/Audio/Aux - Create a MIDI track, and audio track and an aux track. I've been using it lot for end of film credit music. There must be a way to remedy this, but exactly how escapes me. The problem is that in the long list of devices that my MIDI tracks output to, Stutter Edit is not among the ones that appear. To do that, the output of the MIDI track should be set to Stutter Edit.
We can only imagine the Electronic Opus edits were a whole lot easier to achieve.Remmet wrote:I recently got Stutter Edit, and apparently you control it with a MIDI track. This meant that files had to be shuttled in, cut and edited, exported, and brought back into the main production environment. While it had the ability to open more than one audio file at once, its maximum count was 10 at a time. For its time it was immensely powerful, but it had one enormous downside: it was a stereo file editor.
#Stutter edit 2 manual pro#
With platforms like Pro Tools still babies, one of the biggest games in town was BIAS’ Peak Pro software. In short, it’s a digital 1/2-inch tape machine. Digital audio recording circa 2003 was still in its infancy in many ways. Second is the general history of the first Somnambulist Guinness record. Picture yourself saving, renaming, and dragging a file to the trash 10,000 times and you’re somewhere in the ballpark. An “audio edit” is when an audio file is manually split, cut, joined, and otherwise mangled to create BT’s signature “stutter” glitch effect. First is the simple fact that 10,000 audio edits is absolutely insane (his previous record was 6,178 edits). The feat is an even bigger deal when you consider the factors leading up to it. While not yet officially recognized, we suspect it’s a milestone that won’t go unnoticed. Orchestra on Simply Being Loved alone are 10k+ edits In other news, positive I re-broke my world record for most audio edits in a song. Such is the case for BT, who announced on Twitter that he’s “positive I re-broke my world record for most audio edits in a song.” The song in question is an orchestral re-imagining of his 2003 breakout hit Somnambulist (Simply Being Loved). It is being created for his upcoming Kickstarter-funded project Electronic Opus. Sometimes when you’re at the top, the only thing to do is compete against yourself.